“Kodachrome: The Movie” coming to Netflix

The Railsplitter. Nikkormat FTn camera, Kodachrome film. Photo (c) Chuck Miller, all rights reserved.

About seven years ago, I used the iconic slide film Kodachrome in its last year that the film could be developed.  I photographed bridges and trees and winter scenes and other cool images.

Then, in December 2010, the last processing plant in the world – the only one capable of handling the various chemicals used to develop Kodachrome film – announced they would stop development.  And although some people have tried homebrew methods to develop Kodachrome, while others have developed the film in a black-and-white process … Kodachrome film was finished.

Spin forward to 2017 … and now there’s a film about the last days of Kodachrome.


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So I saw Marvel’s Inhumans in IMAX last night…

As a kid, I feasted on comic books.  I followed the multi-layered storylines of Marvel’s superhero lines, as well as the sharp, snappy, inventive comics in the DC line.

So any time a new Marvel or DC motion picture or television series debuts, I have to give it a chance.  Whether it’s the films in the Marvel Cinematic Universe (the ones that Disney puts out), the DC Extended Universe (the ones that Warner Bros. shows), the DC Berlanti Universe (all the superhero programs on the CW), the Spider-Man Extended Universe (the films that Sony produces) or the X-Men Expanded Universe (20th Century Fox holds on to those rights), I need to watch them.  For me, it’s a reconnection with my childhood – or at least the pleasant and least violent part of my childhood.

Continue reading “So I saw Marvel’s Inhumans in IMAX last night…”

Spider-Man: Homecoming and that … er … um … smell…

Let’s get a few things straight.  I enjoyed the Spider-Man trilogy with Tobey Maguire as the webslinger.  I kinda was okay with the Amazing Spider-Man double feature with Andrew Garfield in the suit.  They both had their strengths and they both had their weaknesses, to be sure.

And last night, I watched the reboot of the Spider-Man movie series, this time with Tom Holland playing a high school version of the titular Marvel super-hero.  It was fun, it was exciting, it had plenty of those Marvel Cinematic Universe tie-ins and connections – several MCU characters appear in and are referenced in this picture.  And I’m okay with that as well, it’s nice to know that Spider-Man is now part of the Marvel Cinematic Universe, even though the Spider-Man movie rights are technically held by Sony and lended out to Disney/Marvel on an as-needed basis.  Sort of like that old Hollywood movie star / studio contract deal.  I totally get it.

And as I said, the film was very enjoyable and fun to watch … because I was trying my damndest to focus on the film and not on other things.

Continue readingSpider-Man: Homecoming and that … er … um … smell…”

Reflections on Adam West

Last night, I heard the awful news that actor Adam West passed away at the age of 88.  He led a fll and long life, and whether he was typecast in one specific role or not, and although he eventually grew to appreciate and embrace that one role – he will always be, to a generation of television viewers, the legendary Caped Crusader, Batman himself.

He was my first true television superhero – every afternoon at 4pm on WRGB would be a brand new (to me) Batman episode.  Maybe I didn’t understand the camp value of the series – how most of the actors were playing their roles over-the-top and tongue-planted-directly-in-cheek – but for a six-year-old who had enough drama in his home life, Batman was an escape for me.

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Rogue One: A Star Wars Story: Better than expected!

https://i2.wp.com/img.lum.dolimg.com/v1/images/rogueone_onesheeta_1000_309ed8f6.jpegThere was so much to expect from Rogue One: A Star Wars Story, as the Star Wars movie universe added its first true standalone fixture in the series.  It’s almost as if the storytellers decided to rebuild the old “Star Wars Expanded Universe” that once populated the series’ books and videogames and TV specials, and placed it directly into the movie canon.

And that’s what happened with Rogue One, as we get the story of how a band of freedom fighters acquired the data tapes that exploit a weakness in the planet-killing Death Star – the same data tapes that Princes Leia smuggles into R2-D2 in Star Wars Episode IV: A New Hope.

And here I was last night, buying my ticket to the early evening 3-D showing at the Regal Cinema in Colonie Center.  Yep, it’s just like that magical day in 1977 when I stood in line across the street at the old Cine 1-2-3-4-5-6 in Northway Mall for the first Star Wars film … except it wasn’t in the middle of winter and the ticket price wasn’t $17 to see the film.

Be that as it may, I found a good seat in the theater and waited through the 20 minutes of pre-movie advertisements and 20 minutes of movie trailers (so there are at least three Marvel movies debuting in 2017, okey dokey).  One Star Wars fan in front of me stood up, turned around, and shouted half-jokingly in the theater, “Is there anybody in here that isn’t wearing a Star Wars shirt?”

“Yeah, me!” I shouted back.

“Get out of the theater, you’re not welcome here,” he called.

Okay, I can play along.  I slowly waved my hand in front of him, and used my best Alec Guinness intonation.  “You don’t need to have me leave the theater.”

“That Jedi mind trick won’t work on me,” he shouted back.  Dude must have been a prequel fan.  Probably still has a Jar Jar Binks inflatable doll in his bedroom.  But we both had a good laugh over the moment.

As for the film itself – it was way better than I expected.  While it did follow the usual beats of a Star Wars film – group of mismatched, diverse fighters band together, some comic relief from a droid that joins the team (K-2SO), and plenty of menacing, threatening Stormtrooper action (I think their aim has improved in this film, if that’s saying anything).

And there were several shout-outs to various Star Wars moments – yes, at least one character says “I’ve got a bad feeling about this,” and yes there were various Stormtrooper armored war vehicles that we remember from Return of the Jedi and The Empire Strikes Back.

The best praise I can bestow upon this film is that it finds a way to truly integrate itself into the Star Wars movie universe more tightly and fluidly than any of the prequels.  And without spoiling anything, we even get a return visit from Grand Moff Tarkin, the despot governor from Star Wars: Episode IV as played by Peter Cushing.  Well, as recreated from the estate of Peter Cushing, since Peter Cushing is quite dead now, but thanks to CGI technology he looks as alive and as menacing as he did in 1977.

The other thing about this film is that it really amps up the danger and drama for the freedom fighters Jyn, Cassian, Chirrut, K-2S0 and the rest.  This isn’t like the prequels, where you know that Obi-Wan Kenobi and Annikin Skywalker were going to survive their battles.  In this instance, you’re not sure who will prevail in the rebels’ fight against the Empire.  There’s no sure answer, because we don’t see these rebels in any other film, nor do we hear their names mentioned.  Was their mission a success, or did it become a noble failure, a footnote to the resistance against the Galactic Empire?

Oh, and one more thing.  Stay till the end of the film.  You will not be disappointed.  Trust me on this.

So what are you waiting for?  You know you want to see this film.  And you’d better see it before Star Wars: Episode VIII debuts next Christmas.

And maybe this time I’ll pack a Star Wars T-shirt or something for the premiere. 😀

The Force is not strong with this one, officer…

I’ve written before about my love and appreciation for the Star Wars movie franchise.  I stood in line at Northway Mall way back in 1977 at the old Cine 1-2-3-4-5-6 to see the first movie (now known as Episode IV), and last year I did the entire six-movie marathon at Regal Crossgates 18 before seeing the midnight showing of Star Wars Episode VII: The Force Awakens.  So yeah, you know I’m going to see the new Star Wars: Rogue One spinoff movie (or is it Episode 3.5 in the series?  Not sure…)

That being said, I thought you might get a smile out of this little Star Wars clip, courtesy of the Fort Worth Police Department.  For the past couple of years, the Fort Worth PD has used Star Wars characters in their police recruitment videos.  That’s fine, I guess … but this one, featuring an attempt by a Star Wars stormtrooper to join the Fort Worth blue line …

And I suspect that the Fort Worth police officer in that video has had prior experience dealing with Darth Vader … as seen in this clip from 2015.

Of course, maybe it would be better if the Fort Worth Police Department recruited a different “man in black,” so to speak.

I guess … leave it to the Fort Worth Police Department to have a sense of humor.

But I digress… oh yeah, Star Wars: Rogue One opens in theaters on Friday, December 16, with special previews on Thursday night.  Check your local theater for time and availability.  And may the force be with you.

Even the police force.

The rarest Three Stooges films ever…

I grew up with the Three Stooges.  As a kid, I watched Three Stooges movies at 7:00 a.m. on WTEN as part of a “Popeye and the Three Stooges” show, which would lead into Commander Ralph Vartigian and the Good Ship News.  In later years, I would watch Three Stooges marathons on WSBK, when the Boston-based TV station was part of my cable package.

There were 190 Three Stooges 20-minute shorts, and the quality ranged from completely awesome – Disorder in the Court, Punch Drunks, You Natzy Spy – to downright painful – Half Wits’ Holiday, anything with Joe Besser in it).

Those episodes were classics.  If I was in a miserable, downtrodden mood, I could sit and watch two or three Three Stooges clips and my spirits would pick up quickly.

And for years, I thought that the 190 two-reelers the Stooges made for Columbia Pictures were the only Three Stooges films I could enjoy.

Which is why I’m sharing this batch of rare Three Stooges goodness with you now.

What I have here are either Three Stooges shorts and/or clips that were made BEFORE or AFTER (or in some cases, DURING) the classic 190 films.  And you can see the evolution of the Stooges, from their stints as sidemen for comedian Ted Healy, to their own development as slapstick knockabout comics.


Long before their three-decade stint with Columbia, the Stooges were sidemen to comedian Ted Healy, and this early MGM two-reeler is a prime example of their career at that time.  The Stooges were essentially Healy’s punchline and slap-line, and in this surreal short they play Healy’s children, who beg the tuxedoed comedian to tell them bedtime stories.  You can tell from this clip that Healy should have been working for the Stooges, not the other way around.


This vaudeville scene appeared near the end of this 1930’s ensemble film, and after you suffer through Healy’s performance of “One Pair of Pants at a Time,” you get some hilarious interactions between Healy and his Stooges.  Note.  Yes, that’s Shemp Howard with Moe and Larry; Shemp was the original “Third Stooge,” but he left the group because he couldn’t work with Healy.  Shemp would only return to the Stooges two decades later to replace Curly, who had suffered a series of debilitating strokes.


In 1949, the Stooges actually made a television pilot.  They would take their best trope from the movies – three hapless workers who cause more trouble than they fix – and attempted to make a live TV series with it.  But what works well in the movies – pratfalls, sound effects tied to slaps, careful editing so that nobody really got hurt – didn’t work as well on live television.  Interestingly, this pilot shows Larry Fine as the more energetic and creative of the Stooges.


In this sketch from the 1941 full-length feature film Time Out For Rhythm, the Stooges perform one of their classic vaudeville routines, the “Maharajah of Vulgaria” sketch.  This sketch, which was used several years later in the Stooges short Three Little Pirates, features Moe as the translator for Curly, who plays a Middle Eastern potentate.  Funny funny stuff.

In fact, just as a comparison, here’s the “Maharajah” sketch from Three Little Pirates, and this was performed by Curly Howard AFTER he suffered a series of strokes.  That’s how good the Three Stooges truly were.


Yes, that’s the Three Stooges in a Frank Sinatra / Dean Martin big-budget feature film.  They perform their “Point to the Right” routine, and Dean even gets in a classic triple slap on the trio.


Another attempt for the Stooges to break into television, this TV pilot would have featured the Stooges (now with Larry, Moe and Curly-Joe DeRita) attempting to recreate their Columbia short subject magic, along with some Stooge-themed cartoons added for entertainment.  The pilot tested poorly and a series was never created; but footage from this pilot was later used in a 1960’s Three Stooges feature film.


In 1965, the Stooges filmed a series of wrap-arounds for a children’s show.  This series, The New 3 Stooges, was produced by Moe Howard’s son-in-law Norman Maurer, and featured the Stooges introducing customized cartoons of themselves.


One last attempt at a TV series for the Stooges, Kook’s Tour would have featured the “retired” Stooges as they travel the country in an RV and have some comic adventures.  Unfortunately, as the pilot was being filmed, Larry Fine suffered a massive stroke and could not continue on; and this pilot was their last filmed project.

So I hope you enjoy watching these rare clips of one of the funniest comedy teams to ever appear on film.  Fun fun stuff.